Monster is a dense and complex drama by Hirokazu Kore-eda that serves to explore contemporary Japan through the eyes of a mother, her son, and the boy’s teacher in an entwined triptych.
The film opens with a burning building in the centre of town, lighting up the dead of night. Whilst people take notice and observe, of greater interest is the fact that the teacher in question, Hori, is apparently seen evacuating from a hostess bar in the building. This, in turn, is the source of scandal and the beginning of his downfall.
The son, Minato, is the film’s focus, and is perceived by his mother, Sakura, to be acting strangely. It transpires that he may have been physically attacked by Hori at school, which sends Minato on a one-woman mission to take action and demand the truth, and retribution, from Hori and the school.
This sets the stage for Kore-eda to manipulate and craft the narrative as he sees fit. The plot is already steeped in themes ideal for drama: coming-of-age, childhood, and the intrusion of unwanted complexities. It becomes evident through viewing the film that it is one of non-linear storytelling. Kore-eda utilises the method intelligently by shifting and unfolding elements of the narrative to challenge and question us.
Monster is attractively shot and edited, and is dedicated to Ryuichi Sakamoto, the composer of its score. As with all of the director’s work, it is understated, whilst simultaneously being packed with things to process and unpack. Characters appear detached to varying degrees and there is a sense of inhumanness to the proceedings. It is never fully clear who the titular Monster is, but perhaps it is the non-sentient being that pervades the dispassionateness of the film.
2023, Hirokazu Kore-eda
7.0
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